![]() “I just wanted to draw a knock-down, drag-out fight.” Related Stories “At that time, Lex Luthor was a businessman, Brainiac was more or less non-powered, and villains like Toyman and Prankster had no powers,” says Jurgens. It would represent a change of pace from the more cerebral villainy that had populated the Superman books in recent years. The group opted to combine the death with the monster. ![]() By coincidence, Superman writer–artist Dan Jurgens had been kicking around a separate, simple story idea: “monster rips apart Metropolis,” as he describes it now. But in Simonson’s recollection, this time the desperate brain trust was game for the outlandish notion: “Jerry said, ‘Let’s kill him.’ And we said, ‘Great!’”īut how would they knock off a nigh-invincible man who’d survived all manner of threats since his 1938 debut? They’d need a villain to do the deed. Previously, it had never been taken seriously. There was a running gag at Super Summits: When the creators were hitting a wall, Adventures of Superman writer Jerry Ordway would propose killing Supes. “We were told we had to come up with something at the last minute,” recalls The Man of Steel writer Louise Simonson. It wouldn’t technically exist in comics continuity, but in order to keep the Superman brand consistent onscreen and off, the higher-ups didn’t want the couple to be wed on the printed page. They were informed that a new TV series was on the way: ABC’s Lois & Clark: The New Adventures of Superman, in which Lois and Clark would be in their classic will-they-or-won’t-they romantic limbo. The assembled creators wanted to do a big event in which Clark Kent finally married longtime love interest Lois Lane, but the sinister forces of cross-platform synergy stopped them. Their 1992 meeting was a uniquely frustrating one. In order to wrangle this potentially chaotic system, the creators would meet up annually for what they called the “Super Summit.” There, they would plan out the next few months’ worth of stories. In the early ‘90s, there were four monthly comics series starring Superman - Superman, Action Comics, The Adventures of Superman, and Superman: The Man of Steel - and though each series had its own creative team, they regularly engaged in crossovers between all four titles. ![]() Even though the character has had a major impact on popular culture, his real-world origin story is charmingly haphazard, according to new interviews Vulture did with his creators. Anyone familiar with early-’90s DC comics will recognize this creature instantly: it’s Doomsday, the beast that killed Superman in 1992’s best-selling “ Death of Superman” story line. That honor goes to the mammoth tussle that both of the title characters (as well as the all-too-briefly featured Wonder Woman) engage in with a snarling behemoth who can’t be killed by conventional means. But their fight isn’t the movie’s biggest fight. Sure, Batman and Superman fight in Batman v Superman: Dawn of Justice. The Man of Steel trades blows with the bony monster.
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